OH L'AMOUR: The Erasure Musical (Theatrical)

Two friends find love and experience loss as they pursue their dreams amidst the social repression of the 1980s set to the music of synth-pop duo Erasure.

Coastal Cape Cod path with beach houses and ocean view, surrounded by dune grass and a picket fence.

THE OFF SEASON (Screenplay)

An aging couple navigates memory loss, love, and unresolved pasts during a winter in Provincetown, confronting mortality and change while searching for meaning in their shared history.

Semi-finalist, Austin Film Festival

Semi-finalist, Outfest Screenwriting Lab

Quarter Finalist, PAGE International Screenwriting Awards Competition

The Black List: “The descriptive text uses sensory detail very well to add texture; the line about the air in the bookstore looking how leather smells is particularly evocative. The dialogue throughout it sharp, witty, and has the ring of truth to it based on the characters and their backgrounds. The flashback scenes hit all the right details in terms of conveying the specific party scene and laissez-faire atmosphere. Daniel's feelings about Marty talking up his crush on the butcher, especially as expressed to Simon when he's found, are heartbreaking in terms of a character coming to terms with the balance of desire and dignity as they approach old age. The intermingling of Simon and Daniel's younger selves with their present selves on the dance floor is powerful and moving.”

Person walking down a wet East London cobblestone street at dusk, lined with cars and brick buildings, illuminated by a streetlight.

COLUMBIA ROAD (Screenplay)

A gay art historian, still reeling from the loss of his long-term partner a year after his death, reluctantly travels to London for business and inadvertently falls in love with the eccentric fashion student next door.

Quarter Finalist, Creative Screenwriting Unique Voices Screenplay Competition

Quarter Finalist, ScreenCraft Screenwriting Fellowship

Top 100, Table Read My Screenplay Competition

The Black List says: “COLUMBIA ROAD is a project that could no doubt find a large audience and gives us characters and a romance we can root for. The writer has a really unique voice and takes us on a beautiful and emotionally compelling journey as we deal with themes of loss, love, and finding inner peace. The lead character is incredibly intriguing and could certainly appeal to strong talent attachments.”

Four silhouetted figures stand before a spooky, Victorian-style mansion at night, surrounded by fog and eerie trees. The sky is dark and cloudy, contributing to the ominous atmosphere.

THE INFLUENCERS (Screenplay)

A group of competitive influencers are invited to a seemingly haunted Kentucky estate, uncovering a violent past of slavery and white supremacist terror. Supernatural forces and sinister town secrets turn their stay into a fight for survival.

Colorful painting of a city skyline with tall buildings and green trees in the foreground.

ENTER ON PARK (Screenplay)

Welcome to The Arden, a new high rise on Manhattan’s Upper East Side where, thanks to affordable housing regulations, the ultra wealthy reside alongside the hoi polloi.

A wealthy Manhattanite falls for a struggling chef, challenging his privileged worldview as they navigate class divides, family pressures, and unexpected romance in modern New York City.

They may use separate lobbies, but that won’t stop romance.

Silhouette of a person standing in front of an old house with a large shadowy figure in the sky, surrounded by fog and trees.

HER GREAT REWARD (Screenplay)

Middle-age addict Roger Morton returns home to confront his dying, bitter mother, Connie. When she passes, Connie refuses to leave. Haunting secrets and family wounds must be resolved between the two before either can move on.

Quarter Finalist, ScreenCraft Screenwriting Fellowship

Top 100, Table Read My Screenplay Competition

Smiling woman and man standing in front of a colorful mural depicting a seaside scene with flowers and a boat.

THREE DAYS IN MAINE (Screenplay)

A fisherman joins a troubled actress he met in rehab on a trip to her estranged father’s island in a comedy about confronting past demons, the theater of family dysfunction and the limits of redemption.

Colorful shack with LGBTQ rainbow flag, outdoor seating, surrounded by grass, palm trees, and a puddle reflecting vibrant colors.

LAST NIGHT AT DIROCCO's (Screenplay in development)

A group of older men return to the gay bar of their heydey on the night of its closing. In remembering another night at the bar that changed their lives, the men face truths about themselves and what it means to be a survivor.

A vintage-style painting of two men and a woman in a field. The men are facing each other with the woman in between them, looking forward. One man wears a dark shirt and the other a white shirt with suspenders. The woman wears a yellow blouse and red skirt. Two houses and seagulls are in the background.

SECOND CHANCE (Screenplay)

Martha’s Vineyard year-rounders Steven and Chloe, he a gay widower and she recently divorced, find their friendship tested when a charming, sexually ambiguous newcomer arrives, forcing them to confront love, loss, and new beginnings.

Painting of Thomas Mackeller, shirtless with a contemplative expression, looking upwards, with a dark, smoky background.

APOLLO (Screenplay in Development)

Historical drama exploring the relationship of painter John Singer Sargent and his frequent black model Thomas Mackeller.

Colorful illustrated assortment of food and drink items including bottles, jars, fruit, and boxes against a pink background.

DRY GOODS (Play In Development)

Two sober men use weekly hookups to navigate sex without drugs and rebuild their intimate lives.

Vintage-style illustration of a glamorous cocktail party with well-dressed men and women socializing against a red background, featuring hanging lights and a table with drinks.

THE PARTY (Musical In Development)

Bel Air, 1967. One night, one hillside house, one romance and plenty of bedlam.